During June 2017, The Black Archive is accepting submissions for 20,000 to 40,000-word studies of individual Doctor Who TV stories from the 1970s. The period is defined slightly elastically, to embrace all of season 17 including The Horns of Nimon and Shada, and thus covers Graham Williams’ tenure as producer as well as those of Barry Letts and Philip Hinchcliffe.
You should be aware that the following titles have already been published or announced as Black Archives:
- The Ambassadors of Death
- The Dæmons
- Carnival of Monsters
- The Time Warrior
- Pyramids of Mars
- Image of the Fendahl.
No further 1970s stories have been commissioned at this point.
What We’ll Need to See
You’ll need to send us a single MS Word document containing the following:
- A detailed chapter breakdown showing the structure of your proposed book. This isn’t just the contents page, but must include a précis of each chapter.
- A sample of your critical writing, in a similar style to your proposed book. This should be a single piece, 4,000 to 6,000 words long. If something you’ve written previously fits the bill, that’s fine. Otherwise, this should consist of one (or more, if they’re short) of the chapters listed in your chapter breakdown.
If you’re not sure what the above should look like, your best bet is to buy and read some of the published Black Archive titles.
Please email submissions to firstname.lastname@example.org during June 2017, with ‘Black Archive submission:’ and the name of your chosen story in the subject line. Participants are limited to one submission per slot, and no more than two submissions in total for the year. Proposals submitted outside the submissions window will be ignored. We will consider your submission and get back to you by the end of August 2017.
We’ll pick submissions based on their merits, but also in relation to our commissioned titles and the overall balance of the range. We’re aware that our record of gender representation has been pretty shoddy to date, so we’ll give a degree of preferential treatment to submissions from women. We anticipate that a number of deserving submissions will have to be rejected, based purely on the limited number of slots available. We’ll inform you if your submission has been rejected, but we won’t necessarily be able to give specific feedback or enter into further correspondence.
This is a submissions process, not a competition, so we won’t be announcing ‘winners’.
Commissioned titles will be announced in due course as part of our standard publication schedule. If you are commissioned, your title won’t be published before 2019 or 2020, possibly later, and we may not be able to assign a publication slot immediately. We will discuss the writing, editing and publication process in more detail with participants whose submissions are successful.